John Mitchell Fine Paintings is an independent family business established in 1931. Now in its third generation it is run by James Mitchell and William Mitchell. The gallery is located on the first floor of 17 Avery Row just off New Bond Street in London and visitors are welcome throughout the week. James and William Mitchell specialise in buying and selling European and British paintings and drawings from the sixteenth to the twentieth century, especially those from private collections. John Mitchell also act as agents for vendors and advise on all aspects of picture collecting, in particular framing, conservation and valuations.

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Jean Dufy - A Summer Preview

Our recently acquired Jean Dufy painting A View from the Place de la Concord to the Assemblée National offers clients a preview of new stock that we shall be exhibiting at MASTERPIECE 2017 this June/July. Our stand, as in previous years, will showcase a broad range of European Masters from early 17th century Dutch and Flemish masters to 18th, 19th and 20th century French and English masters. Jean Dufy came from a family of nine children brought up in an artistic and, especially, musical environment. By the age of 14 Dufy was painting stage sets for family plays; his talents were recognised and nurtured by his older brother Raoul and the latter's friend Othon Friesz. He travelled extensively in Western Europe and North Africa. He served in a cavalry regiment during World War I, but by 1920 he was back in Paris, where he exhibited examples of his painting at the Salon d'Automne, of which he was already a member. He produced designs for the silk factories in Lyons and for the porcelain works in Limoges.
Like his famous brother Raoul, Jean often painted views of Paris and other French cities. His purpose was to capture the overall impact of a scene rather than its uniqueness and individuality. Jean (himself a gifted classical guitarist and jazz musician) painted in a style that was smoother and more fluent than his brother’s, using deep blues interspersed with reds and greens, with points of yellow creating the effects of light. This work illustrates the artist’s debt to the achievements of Impressionism in its bold colour and immediacy of brushwork, but is in turn wholly representative of the École de Paris, that creative explosion of modern and highly stylized art in early 20th century Paris.